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The big thing that I wanted to do was touch on the very start of rock and roll, I loved this moment in rockabilly music. I loved the idea of people making music because they loved music and not because they saw the video or how to market themselves. A very big point for me in this movie is that John didn't arrive at Sun as the man in black. He didn't already know his marketing angle. He didn't have it worked out. He was just trying to be heard and however that would work or not work was fine, but he just needed to be heard. What was magic to me about that moment in time was that it was a moment before the term 'rock and roll star' existed.
Sad are the eyes that remindthe Other was the personwho loved best.Sad is the deadening spiritof unrequited love's extent.
My wife and I fell in love with Tucson, ... I'm excited to be here. My wife is thrilled. We hope to be here a long time.
The thing I really love about this role, is that I have a very clear objective. I know my objective from the very beginning and it's going to carry me through the whole season. That was the problem with Spike. In all honesty, that character had no objective 90 percent of the time. I would have to make it up ... To find your objective is like a gas pedal for acting. And if you can find that objective and play it honestly, it's like 'Wham!' And if you can't find it, you're mired. I'm really happy about an objective the audience suspects and the other characters don't know. It's the hidden agenda of a zealot -- and it's really interesting.
Surveys that deal with Generation X and younger indicate these audiences love this stuff. They are not concerned at all with the privacy aspects of this stuff. As long as nobody uses that information against them, they don't have any problem, as long as it makes the experience better.